Nathalie

Music Director of the Atlanta Symphony Orchestra

Nathalie Stutzmann is the Music Director of the Atlanta Symphony Orchestra and the second woman in history to lead a major American orchestra. She was Principal Guest Conductor of the Philadelphia Orchestra from 2021-2024.

On the symphonic stage, Nathalie’s 2025-26 season includes major debuts with the Symphonieorchester des Bayerischen Rundfunks, Staatskapelle Berlin, and the Royal Concertgebouw Orchestra. She also returns to conduct the London Symphony Orchestra, Swedish Radio Symphony Orchestra, and Oslo Philharmonic.

In Atlanta, her season features key pillars of the Romantic repertoire, including Bruckner’s Symphony No. 6, Schubert’s Symphony No. 9, Tchaikovsky’s Symphony No. 6, Strauss’ Ein Heldenleben, Mahler’s Symphony No. 2, and Beethoven’s Symphony No. 9, concluding the Beethoven Project, a cycle she began with the orchestra in the previous season.

Nathalie has developed a close and ongoing connection with the Bayreuth Festival, where she conducted Wagner’s Tannhäuser in both 2023 and 2024. Her interpretation was met with exceptional acclaim, with Frankfurter Allgemeine Zeitung praising her as “a genius who makes the music irresistible”, and she was named Best Conductor of the Year at the 2024 Oper! Awards. In 2026, she returns to Bayreuth for the Festival’s 150th anniversary to lead, for the first time at the festival’s Festspielhaus, a new production of Rienzi.

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Upcoming dates

SEPTEMBER 3-25, 2025
Dutch National Opera & Ballet

Amsterdam, The Netherlands

Puccini: Tosca
Nathalie Stutzmann, conductor
Barrie Kosky, director
Elena Stikhina/Natalya Romaniw, Tosca
Joshua Guerrero, Mario Cavaradossi
Gevorg Hakobyan, Il barone Scarpia
Sam Carl, Cesare Angelotti
Tomeu Bibiloni, Il Sagrestano
Lucas van Lierop, Spoletta
Joe Chalmers, Spoletta
Netherlands Philharmonic
Chorus of Dutch National Opera
Nieuw Amsterdams Children’s Chorus

OCTOBER 3-5, 2025
Atlanta Symphony Orchestra

Woodruff Arts Center, Atlanta, United States

Copland: Fanfare for the Common Man
Elgar: Cello Concerto
R. Strauss: Ein Heldenleben
Nathalie Stutzmann, conductor
Alisa Weilerstein, cello

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Latest recording

Dvorak: Symphony No. 9 “From the New World”, American Suite

Nathalie Stutzmann’s Warner Classics & Erato Dvorak album with the Atlanta Symphony Orchestra includes Dvorak’s ‘From the New World’ and the ‘American Suite’.

“Our first album is dedicated to Dvořák, with his ‘New World’ Symphony and American Suite, recorded live with the musicians of my Atlanta Symphony Orchestra. It is a lovely tribute to my amazing commitments across the Atlantic, but also to the new horizons opening up for our exciting collaboration.”

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Latest news

Double nomination for Nathalie Stutzmann at the OPUS KLASSIK Awards

Nathalie Stutzmann has been honored with two prestigious nominations at the 2025 OPUS KLASSIK Awards. She is nominated for Best […]

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Nathalie Stutzmann to lead Faust at Bayerische Staatsoper next season

Nathalie Stutzmann is set to make her highly anticipated conducting debut at the Bayerische Staatsoper next season, leading a new […]

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Nathalie Stutzmann headlines the September issue of Gramophone

Nathalie Stutzmann headlines the September issue of Gramophone Magazine! This article dives into her backstory and the upcoming album release […]

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Press

Süddeutsche Zeitung

Süddeutsche Zeitung

"Probably the most important conductor of our time"

The New York Times

The New York Times

"One of the most honestly moving Tchaikovsky Sixths that I have heard”

Bachtrack

Bachtrack

"A Brahms Symphony No. 1 sounding as energized as a world premiere"

Gramophone

Gramophone

"Stutzmann’s Beethoven is not quite like any other (...) I urge you to not miss it"

Oberon's Grove

Oberon's Grove

"A revelatory, fresh, thrilling interpretation of a work (Dvořák’s 9th) we’ve all heard countless times."

The Philadelphia Inquirer

The Philadelphia Inquirer

"She has terrific ideas"

ArtsATL

ArtsATL

"What she brought was nothing short of extraordinary"

Forum Opera

Forum Opera

"Not a single nuance escaped her reading"

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